Volume 4 Issue 2

Vol. 4 Issue 2
August – September 2023



Feminist Perspective on Patriarchy and Its Impact on The Construction of Femininity and Masculinity
Dr. Manjari Johri

The Unintended Repercussions of Technological Breakthrough in Satyajit Ray’s The Diary of a Space Traveller and its Implication on the Status Quo of Artificial Principle Intelligence: A Case Study Through the Lens of Heisenberg’s Uncertainty
Apurba Biswas

Gender Inequality in Homeira Qaderi’s Dancing in the Mosque
Ataullah Fazil Kohistani

Language and Power in Sharankumar Limbale’s Akkarmashi: A Foucauldian Reading
V. Siva & Dr. S. Balasundari

Race and Its Repercussions: An Intersectional Analysis of Colson Whitehead’s The Nickel Boys
Hira Ali

Study of a Romantic Mind”: Henry James’s “The Story in It”
Jin Li

Caste and Gender: Kusumabale as a Tale of Coexisting Oppression and Resistance
Arunima A V

The Image of the Other in Malayalam Travelogues: Readings of Kappirikalude Nattil and Sanchariyude Vazhiyambalangal
Rafid C

(Re)fashioning the Tribal Self-image: Reading Contemporary Tribal Writings from India in Translation
Rishav Dutta

‘Can One Desire Too Much of a Good Thing?’: Imagining Shakespearean ‘Un-Dead’ in a Transhumanist Hybrid
Tarashree Ghosh

Online Shift of Education: End of Humanities and Education?
Dr. Debabrata Adhikary

Revisiting the History of Konark through Pratibha Ray’s Citadel of Love
Miss Juhee Panda & Dr. Mukesh Tiwari

The Posthuman in Ray’s “Aranyer Din Ratri” and “Agantuk”- Embracing the Redefined Self
Shreosi Roy Chowdhury

War, Dissent and Resistance: An Analysis of Malalai Joya’s A Woman Among Warlords
Anisa Fathima

Longing for Possibilities: A Learning and Literacy of Love
Shyam Patel

The Chosen of God: Interrogating Fatherhood, Hegemonic Masculinity and the “Chosen” Family/Nation in Noah (2014)
Jyoti Mishra

The World within a Play or Playing within the World: Re-animating the Author through the Actor’s Voice
Subhankar Dutta

The Humorous Treatment of Prostitutes by an Early Modern German Franciscan Preacher Poet: Johannes Pauli (1522)
Dr. Albrecht Classen

The Caste of Cinema and the Cinema of Caste: Shooting the Dalit 24 Frames Per Second
Patrali Chatterjee

Nomadic Art: Decolonising the Human and the Posthuman
Andrea Barcaro

Book Review

Sitayan (1978), Mallika Sengupta
Mayuri Bhakat

The Age of Guilt: The Superego in the Online World (2023), Mark Edmundson
Shouvik Narayan Hore

George Marsden, Fundamentalism and American Culture
Courtney D. Lawton

Diário de Pilar na Grécia, by Flávia Lins e Silva
Pedro Panhoca da Silva & Camila Concato

The History and Future of Education: A Book Review of Gary Thomas’s A Very Short Introduction: Education
Alyssa Racco

Looking as an art of resistance: Reading violence, racism, and gaze in June Jordan’s book Who Look at Me (1969), June Jordan
Srijani Dutta


Tanmoy Kundu is Assistant Professor and Head of the Department of English, Midnapore College (Autonomous), West Bengal. He has published four research articles and fourteen book chapters on Feminism, Popular Culture, Indian English Novel, and Indian English Drama in national and international journals and edited volumes. Besides English literature, he has a passion for Linguistics, Dalit Literature, and South Asian Literature. Mr. Kundu has been acting as a reviewer for peer-reviewed national-level journals like Advances Journal of Humanities and Social Sciences, (a multi-disciplinary peer-reviewed journal). He has edited a book, Off the Line: Transgression and Its Representation in Literature and Culture (Atlantic Publishers, New Delhi) in 2019. His recent area of research is concerned with Dalit Studies, Street theatre.