July 17, 2024

Current Issue

Vol. 5 Issue 2
August- September 2024

COVER PAGE- DOWNLOAD

CONTENT PAGE– DOWNLOAD

Editorial

Playing the Pirate, Playing the Jew: Refiguring the Other(s) on the Early Modern English Stage
Ramit Das

The Complexities of Transnational Identity and Nazneen’s Concept of Agency in Monica Ali’s Brick Lane
Sadia Afreen

Metaphors and the Integration of Faith and Reason in Ang Lee’s Life of Pi
Li Chunyi

Examining the Impact of Cinema on the Normalization of Queer and Sexual Minorities Through Kundalkar’s Cobalt Blue
Manjari Johri

The Celtic Other in the Regionalist Poems of John Hewitt
J.R. Sackett

‘Dalit Aesthetics’ through Poetic Rendering of Experience: A Study on Bengali Dalit Poetry
Partha Sarathi Mondal

Re-writing History and Myth as Re-creating Identities: A Study of Jibanananda Das’s Narrative Technique
Tapas Sarkar

The Post-millennial Dalit Woman in Documentary: Traversing the Journey from Abasement to Agency in the Documentary Daughters of Destiny (2017)
Alankrita Bhattacharya

Navigating Adolescent Liminality: A Critical Exploration of the Threshold Experiences in Abha Dawesar’s Babyji
Kavya Nair K.S

Shape of Water: A Critical Analysis of Transcorporeal Existence in the Movie Aavasavyuham
Adithya P and Lal Surya S

“Dead Paper”: A Study of the Trauma of Therapeutic Fallacy in Gilman’s “The Yellow Wallpaper”
Aditi Bandyopadhyay

Femininity Through the Lens: Narrating Sexual Politics and Women’s Emancipation in Parched and Lipstick Under my Burkha
Mujaffar Hossain

Affect, Subjectivity and Everyday Resistance in Hasan Azizul Haque’s The Bird of Fire
Srestha Bhattacharya

History and Narrative: A Postmodern Scrutiny of Salman Rushdie’s Midnight’s Children
Sahabuddin Ahamed

Playing the Pirate, Playing the Jew: Refiguring the Other(s) on the Early Modern English Stage
Ramit Das

Book Review

Universal Emancipation: Race Beyond Badiou (2020) by Elisabeth Paquette
Vincenzo Di Mino